A vampire’s assistance seeks support to help break up the relationship.
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nicholas hoult
‘The Banker’ centers on two Black businessmen (Anthony Mackie and Samuel L. Jackson) in the 1950s as they attempt to build a real estate empire in Los Angeles.
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‘The Current War: Director’s Cut’ might be more electrifying with a better edit.
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Though excellently acted, ‘The Favourite’ is bleak with some pacing problems.
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Dark Places suffers from its commitment to its mediocre source material, and the horrendous Fantastic Four is a intro course in how not to write a screenplay.
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This cadre of crazies from Mad Max: Fury Road has a corollary to 70-year-old director George Miller: They are driven by a singular vision and purpose. Theirs is to find and kill the rogue warrior Imperator Furiosa (Charlize Theron) and bring back the harem she absconded with, and Miller’s is to present one nearly nonstop action scene with enough character and metaphorical connection to keep an audience engaged for two hours.
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Since Hoult and Tomlinson don’t generate much heat and the story has zero surprises, there’s not any reason to stay invested in this dull fairy tale re-imagining. The film suffers from timing, I suppose, being the most recent in this lame fairy-tale update trend, which seems to exist only to let Hollywood’s VFX artists loose on properties that are immediately familiar to a global audience.
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Eric, Trey and Trevan discuss the Oscars, Seth MacFarlane and the biggest upsets of the night before getting into this week’s movies, Jack The Giant Slayer and John Dies At The End.
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From writer/director Jonathan Levine (50/50, All the Boys Love Mandy Lane) comes a post-apocalyptic zombie love story take on William Shakespeare’s classic Romeo and Juliet which definitely has a pulse.
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