Print Reviews

Steven Spielberg finally tells his story in the family drama “The Fabelmans.”

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The downfall of a Hollywood powerhouse is detailed in ‘She Said.’

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‘Black Panther: Wakanda Forever’ is an emotional second offering that is visually stunning and features powerful performances from the women in the film. It’s just way too long.

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‘Nocebo’ is another chapter in Lorcan Finnegan’s fantastic running series of ‘Twilight Zone’-esque explorations of humanity’s load-bearing failures.

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The story of Emmett Till finally gets told and the pain of one mother’s fight for justice begins.

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The Rock cosplays Black Adam and crashes the DC universe in one of the most emotionally uninteresting and generic superhero movies ever produced.

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Poignant and hilarious and tragic and achingly real in all the ways McDonagh’s films are, ‘The Banshees of Inisherin’ is magnificent.

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‘Amsterdam’ is a soulless grab-bag of eccentric characters and plot notions scrambled together for maximum awards season effect.

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“Bros” is not going to break any glass ceilings in the romantic comedy genre, but big laughs and Billy Eichner help it stand above the rest.

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A housewife living in a utopian experimental community begins to worry that the company where her husband works could be hiding disturbing secrets.

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Clerks III follows Randal, Dante, Elias, Jay, and Silent Bob make a movie about their life in a convenience store.

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Although John McEnroe makes a fascinating subject, this documentary never gets to the core of the man.

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Tense, gorgeous to look at, well-acted, and wonderfully directed, ‘Prey’ is a goddamn blast, and a pleasant back-to-basics return for the franchise.

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[Rating: Minor Rock Fist Up] In Theaters Friday, July 22nd People are going to try and sell Nope as a 70s-era Spielberg homage, or a 50s alien-invasion throwback, and while there’s notes of all these things in the picture, this is 100% undiluted, uncut Jordan Peele. A bracing, suspenseful, well-paced thrill-a-minute corker buttressed by insightful, […]

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One day a movie will peel back the gruesome and abominable moral complexity of Adolf Eichmann, but ‘Orders from Above’ is not that movie.

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