Oscar nominations included interesting contenders and more than a few head-scratchers even the most seasoned minds at Scene-Stealers can’t quite explain.
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Oscar nominations included interesting contenders and more than a few head-scratchers even the most seasoned minds at Scene-Stealers can’t quite explain.
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Narratively rich and stocked with complex characters played by actors at the top of their games, ‘Parallel Mothers’ is as fascinating as it is moving.
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Keeping in mind that there’s been an entire generation of movie-goers since 2003’s ‘The Matrix Revolutions’ was on screen, it may not play as the “greatest hits” compilation that it will for older patrons.
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Spielberg’s reimagining of a classic is a flat-out masterpiece.
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‘Don’t Look Up’ hits too close to the COVID mark, inviting its audience to live in a fictional hell only slightly worse than their reality.
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Mike Mills’ ‘C’mon C’mon’ is one of the most intimate, charming movies of the year thanks to top notch performances and gorgeous cinematography.
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“Silent Night,” the new festive, apocalyptic film, is an only-sometimes-successful dark comedy.
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‘Macbeth’ is built like some kind of cinematic fantasy sports lineup and executed with all of the ease of an all-star team playing a no-pads scrimmage.
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‘tick, tick…BOOM!” tells the life of an artist who wanted so much, but sacrificed the little slice of love and friendship to find his momentum.
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In Kenneth Branagh’s sublime film ‘Belfast’ he uses a young lad in 1960s Ireland to tell his own story of growing up through troubling times.
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‘The Beta Test’ is a peek behind the showbiz curtain, looking less at the product and more at the obsolete machinery struggling to churn it out.
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An interesting if somewhat under-baked story with captivating imagery and unparalleled needle-drops, ‘Last Night in Soho’ is decent if unspectacular.
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Exciting, interesting, transportive, and seemingly pulled straight out of the mind of Frank Herbert, ‘Dune’ is the sci-fi experience of the season, and the movie fans of the book deserve.
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